PEE WALL, Brian Sheffield source unknown
regina jose galindo
Regina Jose Galindo, Himenoplastia, the surgical reconstruction of the artist’s hymen.
rosalinda gonzalez wrestles anne coulter
Rosalinda Gonzalez: Feminism Today: Wrestling With Ann Coulter 2009 Video/ Intervention Single channel video, Mini DV, and stereo sound design 13 minutes Mex-i-can Luchadora: Rosalinda Gonzalez Ann Coulter: Christopher Robbins Referee: Nayeema Morgan Ring Girl: Avi Krispin Videography: Mary Coble Director: Rosalinda Gonzalez Ah, what a day that was. She pulled a damn good country [...]
girldrive
My friends Rachelle Beaudoin and Jeannie Jo are featured in the wonderful book GirlDrive by Nona Willis Aronowitz and Emma Bee Bernstein. It is out in stores and available online now! Please support our friends and this project by picking up a copy. *********************************** What do young women care about? What are their hopes, worries, [...]
default-dialogue as self-portrait
Two quotes suggesting we avoid both overly personal and default “identity” approaches in art-making: the artist’s identity and history should not be necessary for the understanding of a piece. The object itself has an intrinsic value. Which is a wonderful statement, and I wonder how it holds up when i start doing feminist artwork!-Adrian Piper [...]
dirt palace @ p.s.1
I met Xander Marro when she was the juror for the 2007 SITINGS Commision at RISD Museum (for my plywood tree), and as soon as I met her I realized I could have left out all the bits meant to butter up the admin bureaucrats I assumed would be judging the work. I had some [...]
wynne greenwood & k8 hardy
glitch-prone good humor / vaginal gangstas. ROCKSHOW*! *This does not mean that wynne greenwood and k8 hardy are peaches, just that ROCKSHOW is an adjective I use when I am excited about something.
lurking
There is something intriguing, creepy, and ultimately tiring about finding these dirty little back-alleys of the Internet, where venomous insidery discussion-boards erupt. This one seems to involve at least one “radical feminist” stripper.
brazil vs the cyborg
Both Gilliam and Pallin’s Brazil (1985) and Haraway’s The Cyborg Manifesto (1991) portray a postmodern future in which the construction of shared-identity through the control and reassembly of information are the basis of a political system. In both systems, the representation of any object is both removed from and more important than the object itself, [...]