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	<title>Comments on: the useless art object</title>
	<link>http://www.christopher-robbins.com/wordpress/2006/04/05/the-useless-art-object/</link>
	<description>I have lived in lots of cool places, so I may say something interesting.</description>
	<pubDate>Tue, 16 Mar 2010 11:58:04 +0000</pubDate>
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		<title>by: Mark</title>
		<link>http://www.christopher-robbins.com/wordpress/2006/04/05/the-useless-art-object/#comment-3062</link>
		<pubDate>Mon, 22 Oct 2007 23:17:12 +0000</pubDate>
		<guid>http://www.christopher-robbins.com/wordpress/2006/04/05/the-useless-art-object/#comment-3062</guid>
					<description>Whatever you do will be insignificant, but it is very important that you do it.

Mohandas Karamchand Gandhi
1869-1948</description>
		<content:encoded><![CDATA[<p>Whatever you do will be insignificant, but it is very important that you do it.</p>
<p>Mohandas Karamchand Gandhi<br />
1869-1948
</p>
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		<title>by: Christopher</title>
		<link>http://www.christopher-robbins.com/wordpress/2006/04/05/the-useless-art-object/#comment-4</link>
		<pubDate>Sun, 09 Apr 2006 23:29:00 +0000</pubDate>
		<guid>http://www.christopher-robbins.com/wordpress/2006/04/05/the-useless-art-object/#comment-4</guid>
					<description>Wow. Yeah, I've never approached art-making like that. I'm pretty much stuck in my anticipation of other people's reception. Probably why I am never quite certain that I am an artist. Although I am curious how Cattelan can claim his public art is only for himself, I am definitely inspired by this idea of art-making as experience. Craft and process as experience I understand, but approaching the art with the goal that the creation of it be the experiencial end-goal -- not *thats* revolutionary for me. 

I'll have to lodge that in my noggin for a while.</description>
		<content:encoded><![CDATA[<p>Wow. Yeah, I&#8217;ve never approached art-making like that. I&#8217;m pretty much stuck in my anticipation of other people&#8217;s reception. Probably why I am never quite certain that I am an artist. Although I am curious how Cattelan can claim his public art is only for himself, I am definitely inspired by this idea of art-making as experience. Craft and process as experience I understand, but approaching the art with the goal that the creation of it be the experiencial end-goal &#8212; not *thats* revolutionary for me. </p>
<p>I&#8217;ll have to lodge that in my noggin for a while.
</p>
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		<title>by: Anonymous</title>
		<link>http://www.christopher-robbins.com/wordpress/2006/04/05/the-useless-art-object/#comment-3</link>
		<pubDate>Sun, 09 Apr 2006 22:11:00 +0000</pubDate>
		<guid>http://www.christopher-robbins.com/wordpress/2006/04/05/the-useless-art-object/#comment-3</guid>
					<description>in your list of why you love art,  it seems like you take a very 'outside of it' perspective.  

maurizio cattelan like many many other artists, says that he only makes work for himself.  art can be therapy and it can take you to a place experientially that you haven't been before in your own consciousness.  not as an experience in a gallery but as the maker.  if you can make things that make you feel outside of your personality or who you are as a person, or even question if you actually are a person.  that's good.  or at least scary.  

p</description>
		<content:encoded><![CDATA[<p>in your list of why you love art,  it seems like you take a very &#8216;outside of it&#8217; perspective.  </p>
<p>maurizio cattelan like many many other artists, says that he only makes work for himself.  art can be therapy and it can take you to a place experientially that you haven&#8217;t been before in your own consciousness.  not as an experience in a gallery but as the maker.  if you can make things that make you feel outside of your personality or who you are as a person, or even question if you actually are a person.  that&#8217;s good.  or at least scary.  </p>
<p>p
</p>
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